Draw face expressions12/29/2023 ![]() ![]() This will get our eyes wide open, possibly when we’re scared.ĭ - This muscles surrounds the eyes. With this muscle we are able to lift our brow up, like we do when we look surprised.ī - This is the brow muscle. This muscle allows us to push our brow down, which usually means a frown.Ĭ - The eyelid muscle. I am going to break them down one by one and explain how they move the skin to create an expression.Ī - This is the forehead muscle. These muscles are all any of us need to make the hundreds of expressions that we use everyday. One half shows all of the facial muscles in a simplified form. Take a look at this diagram of a woman’s face. With this tutorial we will examine all the muscles in the face. Then, we will use that information to dissect the core expressions. From there, we will combine these expressions to create more nuanced versions. And lastly, I’ll walk you through how to go about drawing a dynamic facial expression. So now, as storytellers, how do we tap into this power of connection with the audience? You guessed it: facial expressions.įor every emotion that we can have, there is a correlating facial expression. We have grown accustomed to seeing these facial expressions when we communicate and each expression can even be broken down into the individual muscles in the face.ĭisclaimer: In this tutorial, we will build upon the previous tutorials that have focused on how to draw the facial features. I highly suggest that you start with those tutorials before this one. To see more pages from the children’s sketchbooks, click through the gallery at the bottom of the page.At its core, a good story is all about emotional connection. People can empathize most with characters’ emotions rather than their individual problems. Everyone remembers times when there were happy or depressed or unmotivated, so it’s easy to tap into those feelings when storytelling. The emotional spectrum is vast and memorable. ![]() Please look out for my next post – Making Faces, Part II – to see how their Messerschmidt -inspired sculptures turned out. ![]() The drawings were to be used as preparatory sketches for the next Art Club, when the children would make their favourite drawing into a clay sculpture head. Just like real artists, they could keep their drawings for future reference. The kids did their drawings in a simple, bound sketchbook that I had prepared for each child beforehand. We observed how our faces change depending on our mood or feelings – particularly the shape and position of our eyes, eyebrows and mouth.įor example, when we’re surprised our mouth makes a round shape, our eyes open really wide, and our eyebrows are raised (see left). It was quite a challenge for them to hold an expression – happy, sad, angry, scared, surprised, tired and ‘in pain’ – while everyone else sketched. Many of Messerschmidt’s amazing carved heads can be seen in the Belvedere Museum in Vienna, and are worth a look if you’re interested!Įach child took their turn as our ‘artist’s model’. However, the artist who most impressed the children was the Austrian-German sculptor, Frans Xaver Messerschmidt (1736-1783), whose incredible ‘character heads’ portray extreme emotions in extraordinarily contorted facial expressions. 1843–1845), and an engraving of Thirty Five Expressions by Louis Léopold Boilly, a French eighteenth century painter who specialised in caricature. We started by looked at a few examples of paintings and drawings depicting exaggerated facial expressions, including Gustav Courbet’s Self Portrait, The Desperate Man (c. ![]() Gustav Courbet, The Desperate Man Louis Léopold Boilly, Thirty Five Expressions’ Frans Xaver Messerschmidt, The Vexed Man This project had everyone laughing, but there was also anger, surprise and fear! That’s because the children were learning how to draw faces expressing a wide range of emotions. ![]()
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